Up Our Street
NO.6 PAOLO BUFFA
"At Lunch?... I always go to my mamma or nonna. It is mandatory! Every meal you miss out is a lost occasion to discover a new planet. Mamma is a pro on risotto and nonna on pasta, homemade of course. Sorry I was forgetting about my grandpa’s cellar, he always donates the right glass of something to top the experiencE..."
IN A FANTASY, WE HAVE BROUGHT PAOLO BUFFA BACK TO LIFE AND IMAGINED A VISIT TO HIS HOME AND STUDIO...
Italian designer Paolo Buffa is sitting quietly on a proto-type chair smoking a Gauloises by the window. He is looking out towards his hometown of Cantu, and although still, every now and then he feels the form of the chair he sits on. The chair is mahogany with an especially high-back that waves in horizontal lines, and all along it has patches of different stains; Paolo wants it to be rich and heavy to accentuate the delicate tapering of the legs. As ever, he wants to experience the chair before any further design decisions are made. The view he looks out towards is of a sea of Cypress trees that lead down to Lake Como, and it is the perfect tonic from the industry of the workshop; this is the contradiction of the place where Paolo resides, both peaceful Italian landscape and a vibrant centre for the furniture industry.
Paolo tells us, that his contemporaries joke that it is because Paolo’s hometown happens to be where most beautiful Italian furniture is made, that S ignore Buffa can push the boundaries of his designs by using his local familiarity and charm. That being said, the texture of his hands that loop around his cigarette reveal a hard-working maker and designer that works with the craftsmen rather than dictating to them. This can be sensed, in the very loud but bright Italian conversation that sings in the background of the workshop. Although truly Italian in many ways, Paolo shows us various exotic materials he seeks out – from Brasilian rosewood to Cuban mahogany. As we walk around, Buffa is suave and statuesque and yet stresses humour is vital to his work and life. Buffa aptly translates to “funny” in English, and it seems he has taken this on board. He reminds us of a passage from Ernest Hemingway’s book ‘A Moveable Feast’ -
“They say the seeds of what we will do are in all of us, but it always seemed to me that in those who make jokes in life the seeds are covered with better soil and with a higher grade of manure.”
Both Paolo Buffa and his designs offer superior beauty with a sense of humour. He has been showcasing this at the Triennale di Milano for many years, from dining room sets to furniture. He is classed as an inventive designer, taking notes from Lombard classicism, Milanese architecture, Art Deco detailing, and opulent Neoclassicism. As with everything, he will have collected these from his experiences – his training at the Politecnico di Milano, work with Gio Ponti and partnership with architect Antonio Cassi Ramelli. He is a true example of well trained, artful Italian design but it is his distinct sense of humour that sets him apart.
Paolo Buffa designed in challenging times, through Mussolini’s dictatorship and world war, therefore his designs provided a tonic within the safe cocoon of home. Today, we face our own challenges, and Buffas pieces have the same effect. They are UP OUR STREET because they offer a wink of reassurance within an interior and a lightness we all need – As "Paolo" says “domani è un altro giorno si vedrà” (tomorrow is another day, we will see).
WRITTEN BY ALEX MASTERS
WITH SPECIAL THANKS TO RICCARDO RIZZETTO FOR BEING PAOLO.
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